"Top of the Pops" Caught on Camera: "Boyzone"

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Language: English

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While this is a true statement, controlled-composition clauses make it less fair to folks who are both the songwriter and recording artist of a song. All its members are professors at Duke and play a leading role in its cultural life, in addition to traveling widely throughout the year for performances. As our last days fly past here, emotions are running high at Other Music, and we are truly overwhelmed by the love and support we have been feeling from all of you.

Pages: 80

Publisher: Penguin Character Books Ltd (April 6, 1998)

ISBN: 0563380918

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Every year since, I’ve headed home with smiles and security, knowing he was safe, and having the time of his life! Emailed to Camp Director July 23, 2012 I just wanted to send my sincerest thanks for the amazing experience my son, Green Beginner Band, Week 1, had during UNCG Music Camp. From a parents perspective, it was one of the most well organized and educational camps I have ever experience , e.g. http://safemosquitollc.com/library/dixie-chicks-contemporary-musicians-and-their-music. We are privileged to do the work we do, and are continually thankful for the generosity and support from you, our loyal readers, listeners and friends. These definitions are taken in part from the glossary of the The Classical Music Navigator by Charles H. Smith air/ayre: (1) an English song or melody from the 16th to the 19th century; (2) a 16th-century solo song with lute accompanied. aleatory music: music in which chance or indeterminacy are compositional elements. anthem: a choral setting (often with solo voice parts and organ accompaniment) of an English language religious or moral text, usually for performance during Protestant services. antiphon: a liturgical chant sung as the response to the verses of a psalm. arabesque: a short piece of music featuring various melodic, contrapuntal, or harmonic decorations. bagatelle: a short, light instrumental piece of music of no specified form, usually for piano. ballade: (1) a 14th-15th-century French song form which set poetry to music; (2) an instrumental (usually piano) piece with dramatic narrative qualities. barcarolle: song or instrumental piece in a swaying 6/8 time (i.e., suggesting the lilting motion of a Venetian gondola). berceuse: a soft instrumental piece or lullaby, usually in a moderate 6/8 tempo; a lullaby. canon: a contrapuntal form in two or more (voice or instrumental) parts in which the melody is introduced by one part and then repeated by the next before each previous part has finished (i.e., such that overlapping of parts occurs). cantata: term applied to a 17th-18th- century multi-movement non-theatrical and non-liturgical vocal genre; subsequently used to describe large-scale vocal works in the same spirit, generally for soloists, chorus and orchestra; may also be for solo voice and accompaniment. canzona: (1) 16th-17th-century instrumental genre in the manner of a French polyphonic chanson, characterized by the juxtaposition of short contrasting sections; (2) term applied to any of several types of secular vocal music. caprice/capriccio: term describing a variety of short composition types characterized by lightness, fancy, or improvisational manner. carol: since the 19th century, generally a song that is in four-part harmony, simple form, and having to do with the Virgin Mary or Christmas. chaconne: a slow, stately instrumental work in duple meter employing variations. chanson: French for song; in particular, a style of 14th- to 16th-century French song for voice or voices, often with instrumental accompaniment. chant/plainchant: monophonic music used in Christian liturgical services sung in unison and in a free rhythm. concertante: (1) a term used to modify another form or genre, suggesting that all parts should be regarded as equal in status (18th century) or indicating a virtuoso first violin part (19th century); (2) a work with solo parts in the nature of, but not the form of, a concerto. concerto grosso: orchestral form especially popular in the 17th and 18th centuries in which the contrasting lines of a smaller and a larger group of instruments are featured. divertimento/divertissement: a style of light, often occasion-specific, instrumental music arranged in several movements.. etude/study: especially, a piece written for purposes of practicing or displaying technique. fancy/fantas(-ia)(-ie)(-y)/phantasie: an instrumental piece in which the formal and stylistic characteristics may vary from free, improvisatory types to strictly contrapuntal; form is of secondary importance. fugue: contrapuntal form in which a subject theme ("part" or "voice") is introduced and then extended and developed through some number of successive imitations. galliard: a lively court dance of Italian origin, usually in triple time. gigue (jig): a quick, springy dance often used as the concluding movement to 18th century instrumental suites. impromptu: a short instrumental piece of a free, casual nature suggesting improvisation. incidental music: music composed for atmospheric effect or to accompany the action in a predominantly spoken play; the music is not integral to the work even though it may have dramatic significance http://derfensterladen.com/library/justin-timberlake-contemporary-musicians-and-their-music-set-2.
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